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Parlando - Where Music and Words Meet

Poetry has been defined as “words that want to break into song.” Musicians who make music seek to “say something”. Parlando will put spoken words (often, but not always, poetry) and music (different kinds, limited only by the abilities of the performing participants) together. The resulting performances will be short, 2 to 10 minutes in length. The podcast will present them un-adorned. How much variety can we find in this combination? Listen to a few episodes and see. Hear the sound and sense convey other people's stories here at Parlando - Where Music and Words Meet At least at first, the two readers will be a pair of Minnesota poets and musicians: Frank Hudson and Dave Moore who have performed as The LYL Band since the late 70s. Influences include: Patti Smith, Jack Kerouac (and many other “beat poets”), Frank Zappa, Carl Sandburg, Walt Whitman, Emily Dickinson, Don Van Vliet (Captain Beefheart), William Blake, Alan Moore, The Fugs (Ed Sanders, Tuli Kupferberg), Leo Kottke, Ken Nordine (Word Jazz), Bob Dylan, Steve Reich, and most of the Velvet Underground (Lou Reed, John Cale, Nico).
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Parlando - Where Music and Words Meet
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Now displaying: Page 1
Oct 31, 2016

Here is a little Halloween sidetrack. Last year, before the Parlando project, when people asked me what I was doing, I’d tell them I was writing a rock opera.

Daft looks on their faces, particularly if they’d heard me sing. It was pretty much a conversation stopper.

“it’s about Vampira.” I’d follow up with.

Blank looks now.

But it wasn’t my idea. The idea was Dave Moore’s. Well, not the rock opera part—that was mine—but the idea of a series of pieces on Vampira was Dave’s. As I read those pieces they had voices, various emotional states, and a loose tread of events. It just seemed they needed music and I got working on that along with Dave. In the end, we had around 10 complete songs worked up as demos. This is one of them.

Vampira was the creation of Maila Nurmi, who in that character originated the concept of the drolly comic host presenting old horror movies on television in 1954 in Los Angeles; but by the time of this song in the sequence, she has left show business and is recounting one of her last roles, an appearance in 1958’s “Plan 9 From Outer Space,” often judged the worst film of all time. Oddly enough, that conspicuous badness gave the film a robust second life. Plan 9’s auteur. Ed Wood, even got his own biopic.

Nurmi’s successful earlier TV work was never archived (save for this small fragment). Her attempts to find other outlets for her character came to naught, and so to many people she was only known for her short appearance in this bad movie.

So here is the story of a true original who, alas, is largely remembered for being part of the worst project in her career.

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